Our pals Mother and Doctor at the Bangalore Film Society have sent this informative if idiocentric account by Alejandro Jodorowsky of his attempt to make Frank Herbert’s sci-fi classic Dune into a movie before the flawed David Lynch version.
“After I found Giger, a Swiss painter whose catalogue Dalí had shown me... His art declining, sick, suicidal, brilliant, was perfect to carry out the Harkonnen planet... He made a project of castle and planet which really touched with the metaphysical horror. (later, he carried out the sets and the monster of Alien.) For the special effects, thanks to the capacity which Michel Seydoux gave me, I was able to refuse Douglas Trumbull... I was unable to swallow his vanity, his airs of business leader and his exorbitant prices. Like a good American, he played to scorn the project and tried to complex us while making us wait while speaking with us at the same time as with ten people on the telephone and finally by showing us superb machines which he tried to improve. Tired of all this comedy, I left to research a young talent. It is said to me that in L.A. it was like looking for a needle in a haystack. I saw in a modest festival of cinema by science fiction amateurs, a film made without means that I found marvelous: Dark Star. I contacted the boy who had made the special effects: Dan O' Bannon. I was almost with a wolf child. Completely out of conventional reality, O'Bannon was for me a real genius. He could not believe that I can entrust a project as significant as Dune to him. He was obliged to believe it when he received his plane ticket for Paris. I was not mistaken: Dan O'Bannon wrote later the scenario of Alien and a good number of other films with great success.” Click here for the whole story.
“After I found Giger, a Swiss painter whose catalogue Dalí had shown me... His art declining, sick, suicidal, brilliant, was perfect to carry out the Harkonnen planet... He made a project of castle and planet which really touched with the metaphysical horror. (later, he carried out the sets and the monster of Alien.) For the special effects, thanks to the capacity which Michel Seydoux gave me, I was able to refuse Douglas Trumbull... I was unable to swallow his vanity, his airs of business leader and his exorbitant prices. Like a good American, he played to scorn the project and tried to complex us while making us wait while speaking with us at the same time as with ten people on the telephone and finally by showing us superb machines which he tried to improve. Tired of all this comedy, I left to research a young talent. It is said to me that in L.A. it was like looking for a needle in a haystack. I saw in a modest festival of cinema by science fiction amateurs, a film made without means that I found marvelous: Dark Star. I contacted the boy who had made the special effects: Dan O' Bannon. I was almost with a wolf child. Completely out of conventional reality, O'Bannon was for me a real genius. He could not believe that I can entrust a project as significant as Dune to him. He was obliged to believe it when he received his plane ticket for Paris. I was not mistaken: Dan O'Bannon wrote later the scenario of Alien and a good number of other films with great success.” Click here for the whole story.
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