FROM THE EMAIL (Quite amazing)

Hi Mick,
Thought you might like the very literal machine (AI?) translation of the Flirt piece (see Sunday 12/28) courtesy of Google Language Tools. At least it seems Gabba Gabba Hey is (for the most part) the same in any language! Really enjoying the riff btw, Doc40 is now a regular stop.
Cheers, Sid

====================================

Figure cult of the London underground sin from when it worked like usciere fo the UFO Club in 1967 and therefore leader of the Deviants anarchists (to when they recovery), Mick Farren worked like journalist for the NME for three years on ending of the Seventy. In particular, just during the outbreak of the punk rock. In the 1977 the Ramones arrived in United Kingdom in order to promote their Leave Home, and the British weekly magazine dedicated it cover to they and an enthusiastic article of Roy Carr. In appendix to that article there was the space for a piece of Farren, that it provocatively proposed a various reading of the sound ramones, and that, riletto today, in effects it offers to the cue for one various reading of punk American 1977. "When the Ramones has begun to record discs, people have endured them compare to you to the New York Dolls, the MC5 and the Who. This is one mistaken analysis. E' like comparing a cat to the uvaspina and saying that of she is descendant, solo because both are hairy!" Farren set up its controversy on a fundamental concept in order to comprise the sound of fratellini the Ramone. "the true masters of reference of the group of Queens are The To Libs, The Dovells, The Shangri-las, The Ronnettes, The Crystals, the Beatles". Just the riccioluto cantante/intellettuale he emphasized that, although the rough and dirty sound of the group, that that was to the base of the plan was the riscoperta one of melodia ultra the POP of the Fifty, the Spector sound and music from College of the end of years Fifty. It was alone the 77, and already Farren sputava in face to the public English its truth, that one of the difference between punk rock English and the that American. "the Ramones has taken the tradition of the baroque POP and they have reduced it to the bone? this is minimalismo in its higher and pure shape ". Today that cervelloni of The Wire and the post rockers of all the world they strive hard the spirit in order to define the concept of minimalismo in music, farren scovò it just in the attitude of a group therefore new but tradizionalista, a band that riproponeva the sounds of the vocal groups of the ' 50, the scarnificava, filled up it of chitarristici cutting guitars riff and introduced it with a primitivo "one two three four!". This shining reading, teorizzata, we insist, already in 1977, offers the cue in order to reflect on the difference between first vagiti punk rock Americans and that more mod and exactly "rock" of English, you define in way the much most elastic one than many it puts into effect them "expert" of rock and vanguards in matter of sonorous minimalismo, and it points out us how much is unjust to cite ramones when we speak about trash like Blink and the other rubbish punk from Mtv. Who writes never has not loved particularly the punk rock, but she found, seppur the sound of the Ramones young, entusiasmante, from the moment that truly seemed to listen to one brought up-to-date version of music from college of the 50 and of the surf movies. Farren was pushed still more in in its esuberante teorizzazione of a new minimalismo... "the Ramones uses often the phrase here the wanna, that it is the more important in the dictionary of the minimalista". Its conclusive words still today turn out convincing and entusiasmanti, therefore felt and various from the intellettualismo (to the money of the majors) of many experts of punk rock that today vaneggiano and scream their maldestre theories. "the world has need of the minimalismo of the ramones... is a band that it has distilled the moral, politics and the social philosophy in the Gabba phrase gabba hey... The world of it has need, hour ".